By Philippe-Joseph Salazar
An African Athens deals an research of a brand new ecology of rhetoric--the reshaping of a kingdom right into a democracy via rhetorical potential. writer Philippe-Joseph Salazar offers a common view of matters as they've got taken form within the apartheid and post-apartheid South African adventure, proposing the rustic as a awesome level for taking part in out the good topics of public deliberation and the increase of postmodern rhetorical democracy. Salazar's intimate vantage element makes a speciality of the impressive case of a democracy gained on the negotiating desk and in addition gained each day in public deliberation. This quantity provides a full-scale rhetorical research of a democratic transformation in post-Cold battle period, and offers a learn of the loss of life of apartheid and post-apartheid from the perspective of political and public rhetoric and verbal exchange. In doing so, it serves as a template for comparable enquiries within the rhetorical learn of rising democracies. meant for readers engaged within the examine of political and public rhetoric with an curiosity in how democracy takes form, An African Athens highlights South Africa as a try out case for international democracy, for rhetoric, and for the relevance of rhetoric experiences in a postmodern democracy.
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Additional resources for An African Athens: Rhetoric and the Shaping of Democracy in South Africa (Volume in the Rhetoric, Knowledge, and Society Series)
An adjective often used to characterize Mandela’s style is gentlemanly. It is clear that under other circumstances his ethos would not have been so readily accepted, nor allowed him enough credibility to quote, in English, an Afrikaans poet on the sufferings of African children. In other circumstances, he might have alienated everyone at once. However, on this occasion, he offered a “vision” that was also a fiction. And such a move, if we consider it, was even bolder. As said before, until the concluding paragraphs this speech can be seen as the actualization of the initial fiction.
24 Poetry as plasma—fiction (or argumentum, as in Quintilian)25—stands somewhere between reality and falsehood. In other words, it is able to present a scenario for reality. In using a poem that feeds his whole speech and frames the speech in terms of its actual rhetorical disposition, Mandela the orator declares the birth of an entity that, while still a scenario (a plasma), is no longer a pseudos (the false South African nation of separateness—one of the most arresting oxymorons ever produced).
RHETORICAL VALEDICTION Valedictory speeches by Nelson Mandela form, as it were, the terminus ad quem of his performative presidency. How can the Legislator say farewell? How can performance achieve itself or, to use an Aristotelian conceit, “fulfill its motion”? 30 During the opening and closing sittings of the session of the first democratic Parliament, Mandela delivered two valedictory speeches (February 5 and March 26, 1999), which are framed in turn by his New Year Message (December 31, 1998) and the speech he made at the installation of his successor (June 16, 1999).
An African Athens: Rhetoric and the Shaping of Democracy in South Africa (Volume in the Rhetoric, Knowledge, and Society Series) by Philippe-Joseph Salazar