By A. D. J Meeuse
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Extra info for Anatomy of morphology
TEXTURE Texture can add interest and helps create separation in a design. Patterns on clothing, scales on a dragon or snake, 51 spots on the wings of a phoenix, or fine lines indicating a soft fur texture on a tiger are all examples of using textures to improve a design. Without it, things tend to look smooth and flat. LINE WEIGHT Line weight can help separate elements and emphasize the main subject matter. Use a heavier line for the main body of a koi or dragon and a much thinner line for their scales, for example.
The inner arm is also a great place for 46 bright colors in a tattoo because it is not exposed to the sun and, therefore, avoids the fading issues over time. 47 Fun with Flow and Texture The area of water is on a part of the arm that is neither the inner nor outer forearm where the dragon is, but a space in between. It was placed there by itself for fun with the flow and texture of the water, but so as not interfere with the dragon. 48 49 Connecting Areas A splash was used on and around the elbow to help connect the upper and lower arm and to avoid putting a lot of color on the elbow.
You’d need to use some warm colors such as red, orange or yellow to provide enough contrast and separate the different parts of the tattoo. TEXTURE Texture can add interest and helps create separation in a design. Patterns on clothing, scales on a dragon or snake, 51 spots on the wings of a phoenix, or fine lines indicating a soft fur texture on a tiger are all examples of using textures to improve a design. Without it, things tend to look smooth and flat. LINE WEIGHT Line weight can help separate elements and emphasize the main subject matter.
Anatomy of morphology by A. D. J Meeuse